Ngọt
Every measured song, ranked by the share of Ngọt's own players who named it correctly — never compared to a different artist's catalogue. This is what a full Muzify roster report looks like for one artist.
Catalogue recognition
Share of Ngọt's own players who named each song correctly. Thin marks show the 95% interval. Ranked within this artist only.
Recognition vs streams
Recognition runs well ahead of Spotify popularity across this catalogue — the classic regional-scene pattern: streams undercount how well the audience actually knows the songs.
Cho Toi Lang Thang (feat. Ngọt) [Live At Show Của Đen] — Spotify popularity 37, 96.7% of this artist's own players name it correctly (n=1081). Cho Tôi Lang Thang — Spotify popularity 60, 95.6% of this artist's own players name it correctly (n=1123). The live-recording version sits at Spotify popularity 37 — a score that alone would predict a niche, barely-known track — yet 96.7% of this artist's own players name it correctly. Streaming popularity is not measuring the same thing recognition does here.
Markets
How many times more this artist is played in a country than that artist's global share predicts. Bands only, never an exact player count — at least 20 distinct players stand behind every published cell.
Taste neighbours
Artists whose players overlap the most with Ngọt's, learned from who plays whom.
One recommended experiment
The market data here is concentrated in one country at a 10.5× lift — an unusually clean, single-market signal. A first useful test is whether a Vietnam-specific promotional push (rather than a global one) moves quiz demand for the still-partial 36 unmeasured tracks in this catalogue into report-ready territory faster. This is a data-informed suggestion for where to look next, not a projection of streams, tickets, or campaign return — we don't have pilot evidence yet to back an outcome claim.
- First-exposure recognition isn't isolated yet — a returning player can meet a song again in a later session and score higher the second time (see the homepage FAQ).
- No link to streams, tickets, or campaign outcomes exists in this data — recognition is a leading signal, not a sales projection.
- Week-to-week demand spikes aren't yet attributed to a cause (release, playlist, promotion). Not guessed at here.
- This pull is from 2026-09-20; the homepage catalogue view may show a slightly different report-ready count on a different refresh night — both are real, just not the same minute.
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